Movie Theatre

how Movie theatre can improve?

  • Movies suck, Hollywood don't make good movies anymore.

    Votes: 3 8.1%
  • The tickets and food price are too high...

    Votes: 9 24.3%
  • I like to rent movies better anyway...

    Votes: 22 59.5%
  • Don't need to improve.

    Votes: 3 8.1%

  • Total voters
    37
I went to Star Wars yesterday, and it was pretty good.

I felt sorry for Anakin, I don't know why...
but anyway, I can see why he turned Darth Vader...
because Yoga and others said they don't trust him
every since Star Wars I.

:popcorn:
 
I rent movies more than I go to the movie theatre that's because they do not have closed caption near where I live....

It doesn't bother me at all, its nice to watch movies at home with the children and Roadrunner too... :thumb:
 
I like watch drive in theater while i m on mountain free ticket or foods since i m wolf :lol: ofc i like rent movie, i havent much go movie theater lately :)
 
nice to know, miss P that you're on the top of everyone's shit list. even though you hate movies, no one has to agree.
 
Sometimes I go to the movie theather with my gf Javapride but she works there and sometimes my gf Javapride gives me free ticket for going into the movie theather. I am very lucky to have my gf Javapride to work there. :D
 
Busy schedules, buying options give public good reasons to bypass box office sales

Fri Jan 27, 7:05 AM ET

Will someone please pass me a tissue so I can wipe away my tears? Hollywood had a "dismal" - translation: not a record - 2005 and attendance continues to drop. Boo hoo ("Hollywood needs a good run," Cover story, Life, Monday).

It's no accident that movie theater attendance continues to fall. Watching DVDs at home is more convenient, cheaper and far less aggravating than having to endure the growing rudeness of the moviegoing public. But Hollywood executives still beat their heads against the wall in frustration when box office totals don't break records each year. They'd better invest in helmets because they're probably in for a lot more of that.

I understand that business is business and that their duty is to aim for record returns for their shareholders. But I don't understand why any downward fluctuation in box office revenue gets the "Hollywood is in a crisis" treatment by the media, particularly in USA TODAY. The public's appetite for good - or even passable - movie entertainment will always be there, but seeing movies at the theater is no longer the first or only option.
Because of the high cost and people's busy personal schedules, seeing a movie at the theater is fast becoming a luxury instead of a necessity.
Public preference has spoken.
John S. Harris, Memphis

Small-town mentality sells
A recent letter to the editor addressed the impact of rising movie ticket prices. Well, we have the solution ("Ticket prices wallop wallets," Letters, Jan. 9).

Come to Madelia, Minn. Population is roughly 2,340 in the south central part of the state. There, you will see a quality movie, utilizing the most current equipment, including surround-sound stereo and a big screen. All tickets are just $4 each - and popcorn and soda pop are priced starting at $1 each.

Movies are shown only on weekend evenings, and if there are no good family-oriented movies available, we don't show anything. But that only happened eight times last year.
Since the beginning of our fiscal year on Oct. 1, 2005, the top five movies, in order of customer preference, for us have been:

Chicken Little
Walk the Line
Yours, Mine & Ours
Harry Potter and the Goblet of Fire
Dreamer: Inspired by a True Story

Incidentally, our attendance was off 17% last year from the previous year - and the national figure also dropped - so the decrease is probably caused by more than just ticket prices and movie quality.
Everett Christensen, owner, Madelia Theater, Mesa, Ariz.

Cut actor's fees, favor charity
Discussion about low box office sales brushes over a significant point: the high cost to the moviegoer in tough economic times.
Quality and appeal are still relevant in figuring the entertainment value of a film, but the high ticket prices are too much. Things don't get any better when you factor the new technologies and movie-watching alternatives pointed out in USA TODAY's cover story.

Price concerns reach beyond the cost of a movie ticket. The cost of a medium beverage could probably buy a movie theater patron three 2-liter bottles in the nearby grocery store. Purchasing candy or popcorn is the equivalent of a full meal at a fast-food restaurant. Assuming many couples would like to have dinner before a movie, and adding in the cost of gas, it can become a very expensive evening.

Maybe if Hollywood stars - some of whom command millions of dollars per film - took a little less money for their acting, the overall costs could come down. Highly unlikely. I would certainly like to see some financial sacrifice on the actors' part as opposed to hearing their views on political and social issues.
How about donating a percentage of box office sales and concessions to a charity? I would be more inclined to take in a few extra films if I knew a portion of the money would go to a good cause.
Jeff Cabral, Cranston, R.I.

Consider quality and appeal
I have a hard time sympathizing with downtrodden movie executives. I can't figure out why they expect people who work hard for their money to spend it on the tripe they've tossed out to theaters.
Many of the movies listed in USA TODAY as not doing well had shoddy scripts. Once they hit DVD, my friends and I threw a party and rented the films to make fun. The movies were bad, but we got some great one-liners from watching them. There was absolutely no incentive to see them in a theater, where our silence could be requested.
It appears to me that movie executives across the board are sacrificing content and coherency for glitz and shticks. That's fine, if that's what they want to do with their money. But they shouldn't expect anyone to give them money for it.
Meredith Milewicz, Birmingham, Ala. :bye:
 
deafzombiegirl said:
nice to know, miss P that you're on the top of everyone's shit list. even though you hate movies, no one has to agree.

Zombie, everyone's list? Ha, you don't speak for me. That was uncalled for not only by you but some others here, too. I flipped a coin and chose you, lol.
 
Sometimes I go to the movie theaters if it's a good movie out there, and is for my children. We did went to see Chicken Little, and I went by myself to see Saw 2. :shock: *goosebumps* While Markus went to see Harry Pottter.


But, on another hand, I don't mind going to the theaters that is if they have open closed caption, so that way I could understand what's the movie is really about. But, I do have a 62 inches TV that is awesome to rented movies on with, with more privacy with my man. Hey, Don't worry I didn't say go below the wrist.. ;) I meant more of PG-13 maybe a few R-rates. :giggle:
 
I feel sorry for guys who have to take their date to the movie theatre... It
would be too expensive for them.

:popcorn:
 
Miss*Pinocchio said:
I feel sorry for guys who have to take their date to the movie theatre... It
would be too expensive for them.

:popcorn:


Miss P,
Why would u feel sorry for guys who have to take their date to see movies?
It would be fun for them to see when they have open caption.
As for me and son, we sometimes go to see movies on weekends since I want my son to enjoy having fun. Other than I do go movies with my bf, we enjoy watching than being bored...
 
TweetyBird said:
i dont go movies that much.. cuz of i like rent movies with CC!
I didnt like to wait for the days of deaf's theatres with closed captions. Most of them are happen after regular timing of shows.

Also I like rent dvds or buy dvds movies that has uncut.
 
I would go ONLY if they provide OPEN Captioned movies....
BUT, if they provided "Rear Captioning Window" then I REFUSE to
go to any movies even with rear captioning (too inconvenience !)

I prefer open captions/subtitles much better
than these rear captioning window...
 
Miss*Pinocchio
I feel sorry for guys who have to take their date to the movie theatre... It
would be too expensive for them.


Guys are not the only ones that pays for the movies anyway, I like it when I pay some and the guy pays some. Fair is fair. ;)
 
PurrMeow said:
Miss P,
Why would u feel sorry for guys who have to take their date to see movies?
It would be fun for them to see when they have open caption.
As for me and son, we sometimes go to see movies on weekends since I want my son to enjoy having fun. Other than I do go movies with my bf, we enjoy watching than being bored...

Fun? I made people upset when I fall asleep in the middle of the movies.
They paid $7 for me to see movie.
They told me next time I pay my own way.

Did anyone ever nod or get sleepy during movies?

Sometimes I forgot to bring my hearing battery and I can't hear nothing... Wahhhh :tears:
 
Here in Rochester, tickets are $8.50 each. Drinks are $3. Candies are $3. Popcorn is $4. Seriously, if I wanted a simple snack with drinks... I'd be spending a total of $37 for me and my date... for a total of 2 hours together.

Or... I could spend:
  • $20 for dinner
  • $9 for 2 DVD rentals
  • $2 for a 2-liter bottle of soda
  • $2 for a bag of candy & a bag of popcorn
  • ... GRAND TOTAL: $33 for a total of 6 hours together!
I remember when I was in high school and tickets were only $4 for evening shows. When I came here in 1999, tickets were $6.50 for evening shows. Every year, the price went up 25 cents.
  • 2000 - 2001 = $6.75
  • 2001 - 2002 = $7
  • 2002 - 2003 = $7.25
  • 2003 - 2004 = $7.50
  • Fall 2004 = $7.75
  • Winter 2004 - 2005 = $8
  • Spring 2005 - Summer 2005 = $8.25
  • Fall 2005 - Present = $8.50
Notice the sudden increase during the year of 2004 to 2005? That's bullshit! For me and my date, I'm spending $17! I could simply go to Walmart and BUY a DVD for $15 along with candy and soda for $2 extra. Later, I can watch the DVD again when we're in the mood... as many times we want... for FREE!

One of these days, tickets are going to cost more than DVDs. If they really want to improve business, then they should make the place more attractive. By showing us signs with big prices, they're scaring us away! :eek:
 
Yeah vamp,

Or go get 10 piece of KFC chickens with coupon and rent movies from Blockbuster, sit on sofa together with your date and can stop movie if feel hot and steam and wanna kiss or whatever... Hee hee. :giggle:
 
Moviegoers to Hollywood: 'Make it real'

By Daniel B. Wood and Gloria Goodale, Staff writers of The Christian Science MonitorWed Feb 1, 3:00 AM ET

LOS ANGELES - Ballots are out and armchair Oscar voters are in place as five sober dramas - all with weighty subject matter - vie for Hollywood's top honors: best film and best director.

But does the annual cinematic shootout at the Oscar corral - coming this year March 5 - mean much these days, beyond who has bragging rights the next day?

The answer depends on who's doing the talking. To some, Oscar night - and the movies it celebrates - has become a Rorschach test for a self-absorbed industry out of touch with mainstream tastes. Other culture watchers, though, insist that the cinematic tribute reflects, and even guides, America's collective direction and values.

As that debate rages on, at least one larger trend is evident in nominations of recent years, including this one: From biopics to message films, audiences and creators alike seem to be drawn to "reality"-based movies - both in content and technique, say those who teach, study, analyze, and criticize the film industry.

Regardless of which film and which director take home the golden statuette, they say, this year's list of competitors points to an evolution of Hollywood's intentions and aspirations - at least in some corners - and a maturation of American audiences.

"American movie audiences are growing up and getting real, because they feel reality is where they can move forward in their lives," says author Maria Grace, who writes about the cultural and social implications of American cinema.

In this view, movies in general and this year's nominees in particular reflect the issues Americans have been confronting more directly in the past five years: Middle East politics ("Munich"), race relations ("Crash"), the death penalty ("Capote"), gay unions ("Brokeback Mountain"), and media trust ("Good Night, and Good Luck"). Each of those movies is nominated for best film.

"People want more honesty and authenticity," adds John Michalczyk, director of the film studies program at Boston College. "Twenty years ago, if you made a biopic it was a canonization of values. Now you have to make it balanced and honest."

New generations of moviegoers were raised on reality television - and their very own hand-held cameras, says Chad Hartigan, box office analyst for Reelsource.com. "People want things that remind them of their own lives and tell them about other people's real lives," he says.

This attraction to the "real" is not only evident in the subject matter - biopics such as "Capote" and "Good Night, and Good Luck" - but also technique. "Munich" and "Crash" use hand-held cameras and natural lighting, as well as improvised dialogue and character development - all techniques drawn from the documentary world and used by feature filmmakers to heighten a sense of immediacy and realism.

The events of 9/11 only accelerated people's attraction to real events - and encouraged a deeper sense of introspection as a culture, observers say. "Munich" is a film essay on the politics of the Middle East, and "Crash" confronts entrenched racism in America's inner cities.

"As a result of a collective trauma, a society can be forced to begin contemplating the reasons behind its collective experience," says Ms. Grace.

Many observers applaud Hollywood's growing willingness to tackle controversial subjects.

" 'Munich' is especially impressive with what [director] Steven Spielberg and screenwriter Tony Kushner are doing to comment on the Israeli situation," says Elayne Rapping, professor of American studies at the University of Buffalo, SUNY. "It shows the real frustrations of even progressive Jews with the Israeli-Palestinian question."

Even a film that steers clear of geopolitics, such as "Brokeback Mountain," carries a pointed nod to real life when it references the 1998 beating death of Matthew Shepard, a young gay man in Wyoming. It is being lauded, even by detractors, for confronting the issue of the personal costs of making life decisions on the basis of social norms.

Hollywood's growing willingness to tackle gritty, topical issues head on, while commendable, is only part of the story, says conservative culture watcher Michael Medved. This year's nominated films, he says, show that the industry continues to grossly ignore the interests of the vast majority of moviegoers.

"This year's films are more likely to acknowledge their bias or their agenda," says the syndicated talk show host. "That's a good thing."

But, he adds, the industry's preference for what he calls left-wing politics, in everything from Middle East policy to promoting alternative lifestyles, is not. Nearly every film on the Oscar list has done poorly at the box office, Mr. Medved says, underlining the fact that the vast majority of America is not interested in them.

"It would make good sense if they would green-light something with a different point of view," he adds.

Politics aside, be careful not to read too much into the Oscar picks, says Peter Lehman, director of the Center for Film and Media Research in Arizona. "This is about the politics of legitimizing Hollywood and representing the industry as having serious issues on its mind, as opposed to just wanting to make the cash register ring."

But neither is the box office the full measure of a movie, says Grace.

"Movies are the 21st century's version of the eternal myths - the way all ages listen and learn the lessons of the world they are in," she says.

One thing conservatives and liberals can agree on is that, when it comes to Oscar contenders, the academy goes for respect, not money.

"The Oscar gap that exists between the academy and its audience isn't snobbery or liberal elitism as much as it reflects a different grading scale," says Matthew Felling, media director for the Center for Media and Public Affairs. "Most moviegoers look for entertainment, while the academy looks for art."

p>Here are some of the nominees the Academy of Motion Picture Arts and Sciences selected Tuesday for the 78th annual Oscar awards, divided by category.

Best Picture "Brokeback Mountain" "Capote" "Crash" "Good Night, and Good Luck" "Munich"

Actor Philip Seymour Hoffman, "Capote" Terrence Howard, "Hustle & Flow" Heath Ledger, "Brokeback Mountain" Joaquin Phoenix, "Walk the Line" David Strathairn, "Good Night, and Good Luck"

Actress Judi Dench, "Mrs. Henderson Presents" Felicity Huffman, "Transamerica" Keira Knightley, "Pride & Prejudice" Charlize Theron, "North Country" Reese Witherspoon, "Walk the Line"

Director Ang Lee, "Brokeback Mountain" Bennett Miller, "Capote" Paul Haggis, "Crash" George Clooney, "Good Night, and Good Luck" Steven Spielberg, "Munich"

Cinematography "Batman Begins" "Brokeback Mountain" "Good Night, and Good Luck" "Memoirs of a Geisha" "The New World" - Associated Press
 
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